Reality tweets : Meghan Daum on Elan Gale s Twitter drama The Right to Write: Abigail Walthausen on

Should the things we tweet always be true? Or can Twitter be an appropriate medium the sims 3 for writing the sims 3 fictional dramas? For Elan Gale, of Thanksgiving 2013 tweeting fame , the medium is perfect for reality programming. Los Angeles Times journalist Meghan Daum takes a critical approach in this December 2013 column.
  Daum is clearly critical of Elan Gale s Twitter hoax, but what is her core criticism? That the events he reported did not really occur? That the public in general is so gullible? That his behavior toward Diane sets a bad example for public conduct? What is Daum s principle argument that ties her piece together? Daum claims that most of us know that the best way to deal with rude people is to shame them with politeness or ignore them altogether. Is this what you ve always been taught? Do you agree with it? Why or why not? If not, do you think there is a better way to deal with rude people? Give an example of something you ve done or witnessed that was effective.   Malcolm Gladwell, in his essay in Chapter 15 of your text, discusses Twitter s suitability for effecting social change. How might Gladwell have responded to Gale s Twitter drama and the public responses to it? Might he think that Gale s drama was good entertainment? Good morality play? Would he consider the drama a weak-tie the sims 3 connection the sims 3 ? Cite examples from Gladwell s essay to summarize his original argument and to support your conclusions about how he might apply that stance in this situation. One of Daum s criticisms of Gale s Diane story was that Gale made it up but passed it off at the time as true. In short, she objected to using Twitter as a vehicle of fiction. Yet we certainly don t expect all other media creations even TV reality shows to be genuine, and social media is widely accepted to present a highly edited version of our messy lives. the sims 3 Which media and platforms the sims 3 (Twitter, Facebook, Instagram, etc.) are suitable as vehicles of fiction, and which aren t? Why do you think so? What characteristics determine where you draw the boundaries between your expectation of truthfulness and your acceptance of fiction? Write an essay in which you respond the sims 3 to these questions. Use Daum s article, Gladwell s essay, or any other appropriate source as your they say, and support your positions with examples and evidence.
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